Niccolò Palomba

Cinematographer · AIC · Imago

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The right tool for the story.

I started shooting film at ten, with a Zenit reflex: heavy, big, slow for a child. Early on it taught me that there is no perfect medium, only the right tool and language for the story you want to tell. Which tool and which language a film needs is the question I ask myself on every job, and sometimes the answer is more uncomfortable than expected: the right tool doesn’t exist yet, so it has to be built.

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Selected Works

La macchina delle immagini di Alfredo C.

La macchina delle immagini di Alfredo C. (The Image Machine of Alfredo C.)

Roland Sejko · 2021

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La nostra magnifica ossessione — Bernardo Bertolucci e la sua generazione

La nostra magnifica ossessione — Bernardo Bertolucci e la sua generazione (Our Magnificent Obsession — Bernardo Bertolucci and His Generation)

Marco Spagnoli · 2025

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Restored Arri Super 16mm

Building the Image

My relationship with image-making has never been limited to filming. From restoring cameras to designing optical tools, from documentary archives to software for filmmakers, I have always understood photography as one single thing.

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For a few years now, the uncomfortable answers have had a place where we look for the solution. When we can, we build it.

Balene Film: a studio for image production and research, based in Rome and Ficarra.

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